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American Literature: Drama - Beginnings

American Literature   American Literature: Drama, literature intended for performance, written by Americans in the English language. American drama begins in the American colonies in the 17th century and continues to the presen
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Commentaires en marge du texte “L’expression architecturale des Grecs de Roumanie (XIXe-XXe siècles) par Vassilis Colonas

Commentaires en marge du texte “L’expression architecturale des Grecs de Roumanie (XIXe-XXe siècles) par Vassilis Colonas for the book Greeks in Rumania, 19th century OBSERVATIONS GENERALES : L’auteur aborde dans c
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A Practical Approach to Faulkner’s Literary Style

A  Practical Approach to Faulkner’s Literary Style       Our paper is based on a fragment from The Sound and the Fury quoted beneath: “April Seventh, 1928 Through the fence, between the curling flower spaces, I could see them
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THE LIFE AND LITERARY ACTIVITY OF WILLIAM FAULKNER

THE LIFE AND LITERARY ACTIVITY OF WILLIAM FAULKNER William Faulkner belongs to that group of writers who were least embarrassed by established conventions, he was the writer who made the modern American literature richer by daring t
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MYTH AND REALITY IN FAULKNER’S SAGA OF THE SOUTH

MYTH AND REALITY IN FAULKNER’S SAGA OF THE SOUTH William Faulkner is one of the most praised American writers of his time who approached a wide range of themes such as: childhood, family, sex, race, obsessions, time, the past, his native So
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Brilliance and Difficulty in Faulkner’s Novels

Brilliance and Difficulty in Faulkner’s Novels William Faulkner is perhaps the most criticized contemporary American novelist for his style described as original, heavy, and versatile. Many critics spoke about the use of the stream of c
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Lexicology, the branch of linguistics

Lexicology, the branch of linguistics   Linguistics is the scientific study of natural language. Linguistics encompasses a number of sub-fields. An important topical division is between the study of language structure (grammar) and
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TWELFTH NIGHT; OR, WHAT YOU WILL by William Shakespeare

1602 TWELFTH NIGHT; OR, WHAT YOU WILL by William Shakespeare DRAMATIS PERSONAE   ORSINO, Duke of Illyria   SEBASTIAN, brother of Viola   ANTONIO, a sea captain, friend of Sebastian   A SEA CAPTAIN, fri
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GLAMOUR: A WORLD PROBLEM

GLAMOUR: A WORLD PROBLEM [Page x]  PUBLISHER'S STATEMENT PUBLISHER'S STATEMENT In Discipleship in the New Age, Volumes I and II, certain personal instructions given by the Tibetan to a group of disciples were made publi
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How To Use Linguistic Binds To Persuade

How To Use Linguistic Binds To Persuade The use of linguistic binds in the therapeutic context is well documented and researched. The use of binds in the context of persuasion and influence is not nearly in such widespread use, yet. This obviou
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VERBAL COMMUNICATION

VERBAL COMMUNICATION 1.0 Introduction This chapter sets a theoretical framework for the field of verbal communication offering the tools needed in order to perform the analysis included in the course case study comprised and discussed in
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NON-VERBAL COMMUNICATION

NON-VERBAL COMMUNICATION 0 Introduction In this section I transferred my attention to nonverbal communication and how is it made by people. Here I went for the following aspects: functions as principal and then I continue with ways o
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RESEARCH INTO VERBAL COMMUNICATION VERSUS NONVERBAL COMMUNICATION

RESEARCH INTO VERBAL COMMUNICATION VERSUS NONVERBAL COMMUNICATION 0 Introduction This chapter of the present paper is aimed at identifying some differences that appear at the level of communication, either verbal, or nonverbal. I s
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THE RENAISSANCE (II): THE MASKS OF SHAKESPEARE’S TRAGIC CHARACTERS

THE RENAISSANCE (II): THE MASKS OF SHAKESPEARE’S TRAGIC CHARACTERS THE CHRONICLE PLAYS Ø      order of writing: Henry VI ( 3 parts ), Richard III, King John, Richard II, Henry IV (2 parts
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THE ANGLO-SAXONS: “BEOWULF” and “DEOR’S LAMENT”

THE ANGLO-SAXONS: “BEOWULF” and “DEOR’S LAMENT” 2000B.C.  Pre-Celtic tribes: the Iberians 700 B.C.  Celtic tribes 55 B.C. – 410 A. D. Romans 410 A.D. Angles, Saxons, Jutes OE  literature  c. 700,  4 manuscripts: Cotton Vitellius,
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The Great Modernists (II): T. S. Eliot and D. H. Lawrence

The Great Modernists (II): T. S. Eliot and D. H. Lawrence Thomas  Stearns  Eliot (1888-1965):  Poetry: The Love Song of J. Alfred Prufrock, (1910), The Wasteland (1922), etc. Drama: Murder in the Cathedral (1935), The Family Reunion  (1939
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ROMANTICISM: NEW GODS OF NATURE AND OLD DEMONS OF PHILOSOPHY

ROMANTICISM: NEW GODS OF NATURE AND OLD DEMONS OF PHILOSOPHY THE GREAT PHILOSOPHERS: John Locke,  ESSAY CONCERNING HUMAN UNDERSTANDING (1690) Ø      man’s mind  is a “blank sheet of paper”, cont
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THE ENLIGHTENMENT (I): ARE THE WORKS OF THE 18th CENTURY WRITERS NOVELS OR FICTION?

THE ENLIGHTENMENT (I): ARE THE WORKS OF THE 18th CENTURY WRITERS NOVELS OR FICTION? THE CONTEXT Ø      the capital, the province, the countryside: the rich were sophisticated and vicious, snobbish, hypocrit
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THE VICTORIAN WRITERS BETWEEN THE MIRROR AND THE PEN

THE VICTORIAN WRITERS BETWEEN THE MIRROR AND THE PEN  The Victorian Age 1830-1901 Ø      economic, scientific, and social progress (the railway age, trade develops, colonial expansion, the Education Act of 1870
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Postmodernism: Antitexts and Antiheroes

Postmodernism: Antitexts and Antiheroes Philosophical background Ø      Francis Fukuyama, The End of History and the Last Man, 1992. Ø      François Lyotard, The Postmodern Condit
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